This month’s podcast features the circuit bent sounds of Burnkit 2600. Its super droney, crunchy, filled with great textures and generally delicious. We cover a lot of sonic territory, so strap in and enjoy the ride.
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This month’s podcast is a collaboration with Mark Trecka who processes cassette tapes, voice and bells to create beautiful, textured soundscapes.
Also! this podcast, number 48, marks four years of the Errant Space Podcast! Its been a very good experience for me; I’ve met and collaborated with many amazing people and it has really helped me grow as a musician and human. Hopefully you’ve enjoyed it too, and we can continue this journey into sound together.
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This month’s podcast is a sort of hybrid; the source material is from a performance accompanying an Ajna Light Therapy session. I took that material into the studio and enhanced, augmented and manipulated it resulting in this extremely ambient podcast.
For best results listen at the lowest possible volume. As they say at ambient festivals, “turn it down!!”
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This first podcast of 2019 takes a look back at three trio performances from 2018, all three unplanned collaborative improvisations.
The first was recorded at a house concert in April and features Nail Jung (piano, electronics) and dRachEmUsiK (electronics and duck).
Next (10:26) is a performance from September at the Northeast Electro-Music Festival with the Oblique Strategists (guitarists Karl Fury and Mario-Enrique Paoli), who kindly asked me to sit in on their set.
Finally (23:34), there is a performance from December at The Thursday Experiment with Bonnie Kane (saxophone), and Karl Warner (harmonium).
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This month’s podcast features JEM of Symmetry on assorted electronics.
I met JEM at the Northeast Electronic Music Festival and discovered we lived in the same county, so it seemed obvious to invite him to be on the podcast.
The day of the podcast recording we also did a Space Out, Outside performance where we were joined by previous podcast guest Andy Rinehart. So we were well warmed up when it came time to record!
This one gets pretty far-out, sonically; there are a lot of weird textures and it goes to some spacey places. Hold on tight!
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This month’s podcast is some spooky stuff!! Put it on loop for a soundtrack at your halloween party, or to create some creepy atmosphere for the trick-or-treaters. Use it to get yourself psyched up (or psyched out!) while you get your costume together, or just to create an unsettling environment where dread and evil could be lurking anywhere…
(Special thanks to Andy Rinehart for playing keyboard instruments and percussion.)
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This month’s podcast is a compilation of some live performances from 2018.
It begins with part of a solo performance recorded at a house concert in April.
Then around 12:04 is a group collaboration recorded in July at Space Out, Outside. It features 4 Airports, Okkoto and HSFB.
Finally around 40:35 is another group collaboration, this one was recorded in August at a Second Wednesdays: Electronic/Experimental Music show. It features Errant Space, Nail Jung and Huron.
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This month’s podcast features Pas Musique.
Robert and Jessie of Pas Musique came by the studio to record with me before their performance at the Second Wednesdays: Electronic/Experimental Music series in June 2018. Robert played a table full of synths, samplers, drum machines and effects, along with a gdrum and processed vocals. Jessie played some sort of boat paddle run through guitar effects…
We explored a lot of sonic terrain, and the resulting podcast feels like a journey across worlds in some strange universe.
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Welcome to podcast forty! Featuring the homemade and circuit-bent instruments of Electr(on)ic Chakra (John Lutz). I met John a few years back when I bought a synthesizer from him (it was a micro-brute). He was my entry point in to the weirdo music scene in the Hudson Valley, so its great to finally have him on the podcast.
This one is extra-textural and droney; probably best played extremely loud or very quietly. Try it both ways, what have you got to lose?!
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Podcast # 39 is a from a field recording of a collaborative performance with Henry Lowengard which took place as part of the Cocoon Theatre’s Soirees In the Parlor Series* on March 28, 2018. This one is a strange journey; it sounds as if it could be the imaginary score to a surrealist play or experimental film.
Henry Lowengard is an artist/musician and developer of music apps. Some of the apps featured in this performance are: Enumero, AUMI, Droneo and Ellipsynth. You can learn more about those and other apps Henry has created HERE.
*The titular parlor is in the Cuneen-Hackett Arts Center, a historic Victorian building in downtown Poughkeepsie, NY
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