This month’s podcast is a return to basics. As winter starts winding down I’m reconnecting with the electric guitar as a tone generator, and preparing for live performances again after being in studio mode and getting lost in the world of synthesizers.
I constructed this podcast from five exercises where I explored the sonic and textural palette of my guitar performance rig. It felt a bit like reconnecting with an old friend, and it was nice to be reminded of the strange world of sounds we can create together.
We’re starting off the new year slowly with wormlogo, which is another of my musical personas. I think of wormlogo as being based around synthesizers while Errant Space is more guitar based.
I approached this podcast as I would one of my Remote Variations series; but rather than exchanging tracks with some one else, I exchanged tracks with myself. If you want to hear more of the Errant Space + wormlogo collab check out this album.
This month’s podcast features bassist (and synthesist) Irman Peck, from Philadelphia, PA.
Irman was a participant in the Remote Variations series, but this one was recorded live at a Space Out, Outside performance in June 2021.
We covered a lot of ground that afternoon, from contemplative improvisation to weird poly rhythms and textural drones. It’s got something for everyone??
This month’s podcast features synthesist Andrew Neumann from Boston, MA.
Andrew brought out his Buchla Music Easel(!!) for an open-air recording session in my back yard. We got pretty far out, exploring weird sonic textures and terrain. Its a fun trip, enjoy the ride!
Contrary to what his shirt says (and where he lives), Andrew is a West-Coast synthesist.
This month’s podcast is another in the Remote Variation Series, featuring Anders Nils from Brooklyn, NY. Its very ambient; minimal and droney.
Anders Nils is an electronic musician and producer who primarily focuses on generative ambient music, sound design and instrumental soundtracks. He uses a modular synthesizer, software synths and guitars fed through a wash of delay and reverb effects.
This month’s podcast is another in the Remote Variations series, featuring BioMeSS. Its a journey into deep sonic space; ranging from subtle drones to angular blasts of noise and amazing textures.
BioMechanical ShapeShifters (or BioMeSS for short) is the project of Floyd Bledsoe from Trenton, New Jersey. The name has been used for his electronic music experimentations since the early 1990s. The concept is that BioMeSS is not solo but a group consisting of various devices that create the soundwaves. The 2010s saw recordings start to appear on the internet and now there are over 90 albums available on the Bandcamp website with many containing several hours of music each. Styles range from quiet droning atmospherics to chaotic abstract noise and many spaces in between.
BioMeSS performing at Quinn’s in Beacon, NY Nov. 2019
This isn’t Floyd’s first appearance on the Errant Space Podcast! He was also part of podcast 59 with Quanum Elf.
This month’s podcast is another in the Remote Variations series featuring Modulator ESP from Nottingham, UK. Its super-spacey, droney stuff!
Modulator ESP is an adventurer in sound. He produces improvised experimental soundscapes, using synthesizers, sampling,sequencing, looping and processing to create strange worlds of sound somewhere between ambient, berlin school, drone, space music and noise.
This month’s podcast is from the final Space Out, Outside of 2020. It took place on a still not too cold afternoon in October and features synthesists David Mason and Michael Lutomski.
David Mason and Michael Lutomski. That’s my stuff in the foreground.
We covered a lot of sonic territory that afternoon; there are some great electronic textures, weird noises, and so much spacing out. Open your ears, and enjoy the journey.
This month’s podcast is from a July 2020 Space Out, Outside performance featuring Bob Brass, and John Lutz.
It a weird one!! All electronics with plenty of noise and drone, so buckle up and enjoy the ride.