This month’s podcast sees the return of modular synthesist Okkoto!
This winter, I took a trip up to Okkoto’s studio in the mountains where we spent an afternoon exploring sounds… We ended up with plenty of hypnotic rhythms and interesting textures for your listening pleasure.
This month’s podcast is pretty special. It features Dean Sharp, who was the first collaborator on the podcast (#3), and who has madeseveral appearances, but on all of those he focused on guitar. This time, he’s gone back to his roots and plays drums(!)
While I’ve dipped my toes into the water, with percussion(ists), this is the first time I’ve had a drummer, playing drum kit on the podcast, and our recording session was a bit of a breakthrough for me. As an ambient musician, I’ve always been somewhat drum-phobic, but Dean is a fantastic listener and has a good understanding of what I do and I think our collabo, while not strictly ambient, resulted in some beautiful improvisations.
This month’s podcast is a collbo with Scary Mountain Wizard who brought his hybrid modular synth/guitar rig over to the studio for some ambient explorations.
I’m very pleased with this one, it has a nice mellowness and there’s a feeling of gentle exploration. At times it gets very slow, almost to the point of stillness…
This month’s podcast finds me wearing my wormlogo hat and creating deep drones with the Strega Synthesizer and tape.
The Make Noise Strega is one of my recent instrument acquisitions, and I’ve enjoyed exploring its capabilities as a drone machine. These are three of those explorations.
(this is one of the podcasts that i think works best listened to very quietly… or extremely loud.)
This month’s podcast is a live performance recorded at The Friday Experiment at Gateway City Arts in Holyoke, MA. It was an interesting show – an evening of continuous ambient performances featuring Craig Douglas, me and Bonnie Kane. Our sets overlapped by a few minutes, so the end of one performers set would become the start of the next.
Presented here is my portion of the evening. I really like the shape of this one, it covers a lot of sonic territory. That’s why I’ve posted it unedited. Its a good example of what an Errant Space performance can be.
We enter new (sonic) territory this month with percussionist Kevin Cheli.
I’ve always been a bit apprehensive about having a percussionist on the podcast; I could never get my head around how it would work. But, as I keep reminding myself, “there’s only one way to find out!”
So Kevin came to the studio with his vibraphone, percussives and electronics and I think the results are great. There’s a whole new lexicon of textures, sometimes approaching the world of ASMR. Its gets pretty noisy, but there are also melodic moments and lots of beautiful sounds. Open your ears and enjoy the ride.
Xfest was held in August, on a compound near Pond Eddy, NY. There was a basement where, on the morning of day 2, we gathered to do some recording. This podcast is the result.
Conor and Greg in the basement.Irman performing at Xfest.Caleb and Craig (me) performing at Xfest.
This month’s podcast features Neonach (Craig Douglas) from Western Massachusetts.
Craig combines vocals, electronics and acoustic instruments to create lush, immersive soundscapes. Our collaboration explores varied sonic topographies and imaginary frontiers…
This month’s podcast is a binaural recording from the July 2022 Space Out, Outside.
It features Bob Lukomski (granular synthesizers, samples) and Irman Peck (conceptual cello/bass guitar).
Its a really beautiful field recording, best experienced in headphones, with subtle interactions between the players, and their environment.
(L-R)Binaural Mike, Irman Peck, Me (Craig), Bob Lukomski. (photo Bill Loeb)
This month’s podcast is a collbo with 
